Furthermore, this paper pointed out and highlighted that most of the reviewed articles are not related to the segmenting principle even though they are listed as the results of the keywords searched.GameSalad is an online community that empowers everyone to express and share their ideas through games. Our study revealed that the use of CT is most discussed on the programming and science, technology, engineering, and mathematics (STEM) subjects. Out of 231 articles retrieved, 22 of them were identified for analytical purposes in tandem with the observed theme under keywords searched "computational thinking AND segmenting" and then, those articles are thoroughly reviewed. The steps taken for these systematic reviews are adapted from PriSMA (2009). This paper specifically conducted to (i) identify articles that discussed computational thinking (CT) and segmenting principle, (ii) classify the various research domain and context are discussed in previous studies related to segmenting on CT, (iii) synthesis the results that are reported by relevant studies on CT and segmenting principle. This paper reviews systematically articles and journals in the past and current studies on Cognitive Theory of Multimedia Learning (CTML) segmenting principle and computational thinking. These findings reveal a more complex interplay between accessible music-making and competitive gameplay than previously assumed, unearthing new challenges and potentials for interactive composition that I explore herein. The traditional game structures of Chase and Idea were viewed as more engaging overall, yet only EvoMusic engendered interaction that was at once creatively and competitively stimulating.
Players did not reflect the literature’s aesthetic opposition to the synthesis of composing and competing, but noted that sufficiently strong game incentives could overpower musical decision-making. The games were evaluated in two mixed-methods comparative user studies to investigate how these divergent approaches influence the compositional experience.
Idea then adds elements of progression and victory players manipulate musical motifs to navigate mazes, defeat enemies, and earn new creative resources. Chase introduces notions of danger and defeat, assigning musical outcomes to the player’s attempts to evade a pursuing hostile agent. In EvoMusic, players cannot win or lose, but contest the inexorable growth of an evolving musical population to curate and defend a desired sonic output. My research aims to address this gap through a body of original works – EvoMusic, Chase, and Idea – that explore the potential for competitive human-computer dialogues to support accessible, creatively stimulating composition experiences.Įach work takes a divergent approach to competitive gameplay. Limited research or practice has explored this interplay, revealing a gap for new understandings of musical games and interactive composition. Few of these systems harness competitive game elements, reflecting an assumption that the aesthetic experience and mechanical demands of competitive gameplay are incongruous with musical creativity. Musical apps, interfaces, and installations have opened real-time music composition to non-experts through the use of game-like interactions.
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